Contemporary Interpretations of Ancient Hebrew Texts
Contemporary Interpretations of Ancient Hebrew Texts
Music in the Language of Light Contemporary Interpretations of Ancient Hebrew Texts 48 minutes, 12 tracks (2005)
Contemporary Interpretations of Ancient Hebrew Texts by Jim Berenholtz
The latest release from Hu Ra Records, “Music in the Language of Light” features 48 minutes of the Hebrew-based compositions from “The Psalms of RA” double CD. Included are an uplifting chamber orchestra rendition of Psalm 116, a stirring string quintet setting of Psalm 104, and a mixed Hebrew/Arabic version of the traditional Hebrew folk song (“Hinay ma tov...”) derived from Psalm 133. Also included is an original and beautiful setting of the Kaddish for voices, guitar and soprano saxopohone, as well as Kaballistic incantations of the archangels and chants to the dawn light. The instrumentation combines chorus, symphonic instruments, and traditional Middle Eastern instruments like the oud, santur, kamancheh, ney, and dumbek.
Among the featured performers are singers Sonya Heller, Melanie DeMore and Phyllis Addison, saxophonist Paul McCandless, and master instrumentalists A.J. Racy (Lebanon) and Nejad (Iran). The CD is accompanied by a 24 page full color booklet with all the texts written in Hebrew, transliterated, and translated into English. The booklet is illustrated with photography by composer Jim Berenholtz, taking on his many journeys throughout the Middle East and Africa. Images of the Sinai desert, of sacred sites like Petra, Jerusalem, Giza, Persepolis, Axum and Lalibela, and of the wildlife found in ancient Israel during Biblical times, bring illumination to the texts and inspire the listener to imaginings of the sacredness of life.
This CD is ideal for lovers of classical and world music, for those with an interest in Judaica, the Kabbalah, and Near Eastern civilizations, and for all people who work and dream for a world in peace.
Samples of the Tracks
01 Psalm 116
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Psalm 116
3:22
Hebrew Biblical text, scored for mixed chorus, flute, english horns, clarinet, bassoons, french horns, violins and cellos.
02 Psalm 104 Part 1
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Psalm 104 Part 1
7:03
Traditional Hebrew Biblical text, scored for string quintet and two female voices.
03 Psalm 104 Part 2
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Psalm 104 Part 2
5:15
Traditional Hebrew Biblical text, scored for string quintet and two female voices.
04 Kaballistic Cross
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Kaballistic Cross
3:27
Hebrew text, a meditative vocal invocation of the Tree of Life and protective powers of the archangels.
05 Pyramid of Light
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Pyramid of Light
1:58
An instrumental ode to Sirius, home of the Goddesses and Gods. For violins, cellos, basses and flute.
"Let there be light" Hebrew text, song with clarinet , oboe and nai (Mideastern flute).
08 Diaspora
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Diaspora
1:25
Duet for clarinet and string bass.
09 Kaddish
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Kaddish
7:03
Traditional Hebrew mourner's prayer, for guitar, soprano saxophone, female lead vocal and mixed chorus
10 Kesil-Kimah
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Kesil-Kimah
2:40
A chant to Orion and the Pleiades, using their tradional Hebrew star names. For mixed chorus with flute drone.
11 Caravanserai
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Caravanserai
1:47
Traditional Persian instrumental ensemble of winds, strings and percussion.
12 Psalm 133
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Psalm 133
3:33
An Arabic/Hebrew version of the Hebrew song, "Hine Ma Tov . . ." (which comes from Psalm 133), for mixed chorus plus classical Arabic solo vocalist, oud, nai, dumbek, tambourine, and finger cymbals.
All giclee art prints sold here are created to a high standard of reproduction, using conservation grade, acid-free paper, with excellent color saturation and incredible sharpness. The giclee printing machine uses real paints, with accurate reproduction of all colors and forms, working off of a precise digital photograph of the original painting.
The paintings of Jim Berenholtz place him clearly in the realm of contemporary visionary arts, while at the same time reflecting his interest in ancient iconography and symbolism. These works are structured according to the universal principles of the mandala, and of temple art found at sacred sites throughout the world. Jim's art has been published in numerous cultural and metaphysical journals, in the album art of his music CD's, and in his first book, “Journey to the Four Directions” (Bear & Co., 1993). He has also exhibited his paintings at art galleries on Canyon Road in Santa Fe, New Mexico, and on the Plaza in Taos, New Mexico.
In 2009 Jim was honored to be the November Artist in Residence during the Tutankhamun exhibition at the de Young Museum of Art in San Francisco, California. His paintings and other creations inspired by ancient Egyptian civilization were shown together in a multi-media installation entitled "Temple of the New Sun".
The paintings of Jim Berenholtz place him clearly in the realm of contemporary visionary arts, while at the same time reflecting his interest in ancient iconography and symbolism. These works are structured according to the universal principles of the mandala, and of temple art found at sacred sites throughout the world. Jim's art has been published in numerous cultural and metaphysical journals, in the album art of his music CD's, and in his first book, “Journey to the Four Directions” (Bear & Co., 1993). He has also exhibited his paintings at art galleries on Canyon Road in Santa Fe, New Mexico, and on the Plaza in Taos, New Mexico.
In 2009 Jim was honored to be the November Artist in Residence during the Tutankhamun exhibition at the de Young Museum of Art in San Francisco, California. His paintings and other creations inspired by ancient Egyptian civilization were shown together in a multi-media installation entitled "Temple of the New Sun".
In 2009 Jim was honored to be the November Artist in Residence during the Tutankhamun exhibition at the de Young Museum of Art in San Francisco, California. His paintings and other creations inspired by ancient Egyptian civilization were shown together in a multi-media installation entitled "Temple of the New Sun".